So, being
temporarily retired, how do I spend my time? My mother spends her
time volunteering and helping friends who need an inordinate amount
of aid (aka free labor). My dad spends a lot of time glued to the
computer, editing and writing. Well I'm not really what is known as a
“people person,” and I get antsy sitting in front of the computer
for too long. So what do I do? Go to Tel Aviv obviously. What does
Tel Aviv have that Jerusalem doesn't, you ask? A beach, an antique
market, African refugees, complete and utter slums, humidity, people
who won't throw rocks at you for wandering into their neighborhood
(in other words, people who are way more chillaxed than
Jerusalemites), innumerable art galleries, and 16 shekel coffee (as
opposed to the 10 shekel Jerusalem coffee which is just as tasty).
Most importantly, the entire city is a photo-op. I like to take my
camera and just wander around capturing the architecture, and the
singularly remarkable creature know as the “Tel-Avivian.”
I've been to Tel
Aviv a few times in recent months. Once, my mother and I went to help
Tina pack up for her move to the yuppy section of North Tel Aviv (no
refugees there). Once, my father and I spent the afternoon wandering
around, photographing before meeting up with the rest of the family
for dinner as a celebratory double birthday (Tina's and David's) and
anniversary (also Tina's and David's) dinner. We'd made plans to go
to a fancy Yemenite restaurant, but a certain someone who shall
remain nameless, 'cough' 'cough' mom, didn't think to make
reservations, so we had falafel instead. Just kidding, we found
another nice meat restaurant not too far away and were welcomed in
with open arms. Probably because it was completely empty. Like, Yom
Kippur empty. I don't know why, since the food was pretty good. My
mother turned to the waitress, and asked “why is this place so
empty?” Whereupon Tina and I made a pact never to take her out
again since she can't be trusted in polite society. Although I'm
probably exaggerating by calling Israelis “polite society,” but
we will certainly never take her to visit the queen. Unless the queen
is mostly deaf, seeing as she's about 200 years old, in which case
it's probably ok. Unless my mother starts making faces at her.
One day, I took a
solitary day trip to wander around photographing, and then meet up
with a friend for dinner. I started in Yaffo, and then walked up the
beach towards central Tel Aviv. In case you're wondering, this is the
reason I'm so tan. I had plans to meet my friend at a restaurant
across the street from the Tel Aviv Museum of Art. So I figured I'd
take the opportunity and spend a few hours there. I can usually find
at least a few interesting exhibitions; they have a variety of styles
of art. This visit however, mostly left me scratching my head. I've
never really been a fan of contemporary art, mostly because people
use different mediums to express their political views. If I wanted
to know about people's political views, I'd read the newspaper. I
like art, because I like to look at pretty things, or things that are
at least interesting. If a piece of art reminds me of the two
elephants in a bathtub joke, then I give it two thumbs down. If
it's something I could do,
but wouldn't because it would be a waste of paint, then I am forced
to give it no stars.
The main exhibition was actually a collection of different exhibits
by an artist named Douglas Gordon. The exhibition was very creatively
called “I Am Also... Douglas Gordon.” This is the first
exhibition I've seen which has an ellipsis in the title. Points for
that at least. The best word I could use to describe his work would
be “randomness.”
The first exhibit, which I shall from now on refer to as exhibit one,
was a collection of photographs. The collection filled about three
rooms and packed the walls. I happen to like photography, but it
seemed to me to be a mass of random photographs. There were pictures
of food on plates, and hands, feet in shoes, and things that to this
day, I have no idea what they are. Maybe bugs. Or internal organs.
Impossible to say really. There was a dead piano on the floor in the
middle of the first room. It had obviously been picked clean by
vultures and only the skeleton of this poor piano was left. It is
unclear to me why there was a piano corpse on the floor; I would
obviously have considered it evidence in a police investigation.
Moving on...
There were quite a few video installations as well. You had to go
through a heavy black curtain into a completely dark room. The only
source of light was from the video itself. I was curious, so I walked
into the first one. I almost fell over the security guard's chair on
the way in it was so dark. I honestly don't even remember what the
video was about because I was so intent on not walking into anyone or
anything and feeling for the wall. Another one I went into appeared
to be a soccer game. I didn't last too long in that one either. The
last one wasn't a video. It was actually just a paragraph on the wall
which was illuminated for 30 seconds before returning to darkness. I
came in while it was still dark and when it finally lit up I let out
a strangled “gaaaa!” because there was suddenly a really tall guy
standing 2 feet away from me. I gave an embarrassed cough, and
commenced reading. It was something vaguely philosophical and when
the light went out again, the tall guy and I made our way back to
where we remembered the curtain being. That was the last time I was
walking through a black curtain again, so I moved on to the next
installation. It was a bunch of random videos, from a burning piano
(now I understand about the piano corpse), to a guy drawing on
himself with red markers, to an elephant walking. Actually you could
only see the elephant's feet (which were admittedly pretty cute).
In addition, the walls of the new section of the museum were covered
in non-sequiters. As if someone had opened up a private letter or
instant message and taken out sentences and then written them in
really big letters on the wall. Not the first time I've seen such a
thing but just as strange the second or third time around. As a
child, I was always encouraged not to write on the walls, but
now I see that my artistic essence was being stifled. I will probably
have to sue my parents for the loss of possible future earnings from
art installations by discouraging artistic expression on the walls.
These exhibits were also... Douglas Gordon.
The
next exhibit I would like to mention was a series of collages by John
Stezaker, which he called “One on One.” It was basically a bunch
of old photographs, altered in some way so as to create “a
channel of cultural resistance to the sweeping unification of the
image flux in the media; an attempt to reconstruct that which was
lost to the gaze in a visual culture founded entirely on excess,
flickering, and flattening.”
At least according to the Tel Aviv
museum. In other words, he took old photographs and stuck postcards
over the faces. I kid you not. If I did that, my parents would be
furious with me for defacing (pun intended) the old family photos.
They will almost certainly be hearing from my lawyer any day now. I
could have been a famous artist too.
The
cherry on the cake was the last exhibit, called “Host and Guest.”
It was described as:
“A
program of nine exhibitions and events with over 30 international
artists and thinkers examining the theme of hospitality. The complex
obligations, tensions and generosity between hosts and guests are
explored through painting, photography, video, installations,
performance and public discussions, touching on philosophy, politics
and more.”
In
other words, photographs of sad looking Arabs, obviously having been
displaced by the evil Israeli occupiers (among other photographs and
installations; let it not be said that the exhibition constituted
only sad looking Arabs). There were also more rooms with black
curtains but I wasn't going to do that again. As much as I love
walking into walls, a black eye and broken nose for the sake of art
is going a bit far.